Biography
Pink
Floyd is a progressive rock band formed in 1965 in Cambridge &
London, England,
active since 1965 through 1983 & 1987 to present. Group's
main members are Syd Barrett, Roger Waters, David Gilmour, Nick
Mason, Rick Wright. Pink Floyd originally stemmed from earlier
bands whose names included Sigma 6, T-Set, Meggadeaths, The Screaming
Abdabs, The Architectural Abdabs, and The Abdabs. The band was
again renamed The Pink Floyd Sound and then simply The Pink Floyd
(after two blues musicians, Pink Anderson and Floyd Council).
The definite article was dropped by the time their debut album
was released.
Pink Floyd
originally consisted of Syd Barrett (vocals, guitar), Richard
Wright (keyboards, vocals), Roger Waters (bass, vocals) and Nick
Mason (drums). They covered rhythm and blues staples such as "Louie,
Louie". As Barrett started writing tunes more influenced
by American surf music, psychedelic rock, and British whimsy,
humour and literature, the heavily jazz-oriented Klose departed
and left a rather stable foursome. The band formed Blackhill Enterprises,
a six-way business partnership with their managers, Peter Jenner
and Andrew King.
Released in
August 1967, the band's debut The Piper at the Gates of Dawn is
considered to be a prime example of English psychedelic music.
The album's tracks showcase an eclectic mixture of music, from
the avant garde free form piece "Interstellar Overdrive"
to whimsical songs, such as "Scarecrow", a melancholic
song inspired by the Fenlands, the rural region surrounding Barrett's
home town of Cambridge. The album was a hit, peaking at #6 in
the UK charts.
In January
1968, guitarist David Gilmour joined the band to carry out the
playing and singing duties of Barrett, whose mental health had
been deteriorating for several months, but nevertheless was intended
to remain as the band's figurehead and songwriter. With Barrett's
behaviour becoming less and less predictable, and use of LSD almost
constant, he became very unstable, often staring into space while
the rest of the band performed. The band's live shows became increasingly
ramshackle until, eventually, the other band members simply stopped
taking him to the concerts.
Once Barrett's
departure was formalised in April 1968, Jenner and King decided
to remain with him, and the six-way Blackhill partnership was
dissolved. Whilst Barrett had written the bulk of the first record,
The Piper at the Gates of Dawn, he contributed just one song "Jugband
Blues" to the second A Saucerful of Secrets, released in
June 1968, reaching #9 at home. After the film soundtrack More,
the next record, the double album Ummagumma (part recorded at
Mothers Rock Club, Birmingham, and in Manchester in 1969), was
a mix of live recordings and unchecked studio experimentation
by the band members, with each recording half a side of vinyl
as a solo project (Mason's wife makes an uncredited contribution
as a flutist). The album was Pink Floyd's best performing release
yet, hitting UK #5 and making the US charts at #70. 1970's Atom
Heart Mother, is a UK #1 album that is often overlooked today,
sounding somewhat dated, and has been described by Gilmour as
the sound of a band "blundering about in the dark".
However, the album was a transitional piece for the group, and
it hints at future musical territory. The title piece, a 23-minute
long work with symphonic leanings, owes much to orchestration
by Ron Geesin.
The band's
sound was considerably more focused on Meddle (1971), with the
23-minute epic "Echoes" (in this track the band used
the Zinovieff's VCS3 synth for the first time, as well as a theremin
in the spacey middle part). This album also included the atmospheric
"One of These Days" (a concert classic, with a distorted,
disembodied one-line vocal, "One of these days, I'm going
to cut you into little pieces" — courtesy of drummer
Nick Mason — and a melody that at one point segues into
the theme tune of the cult classic sci-fi TV show Doctor Who)
and the pop-jazz stylings of "San Tropez". Their taste
for experimentation was expressed on "Seamus" (earlier,
"Mademoiselle Nobs"), a pure-blues number featuring
lead vocals by a Russian wolfhound. It was about this time that
Roger Waters started to lead the musical direction of the band,
in both lyrical and musical content. Indeed, "San Tropez"
was the first song that Waters brought to the band in a completed
state, requiring little work from the other band members. Pink
Floyd were rewarded with a #3 peak in the UK for Meddle. A
less-well-known album, Obscured By Clouds, was released in 1972,
as the soundtrack for the film La Vallee and was the band's first
US Top 50 album, hitting #6 at home.
Despite their
never having been a hit-single-driven group, their massively successful
1973 album, Dark Side of the Moon, featured a US number Top 20
track ("Money"), and more importantly remained in the
US Top 200 (where it hit #1) for 741 weeks (including 591 consecutive
weeks from 1973 to 1988), breaking many records on the way, and
making it one of the top selling albums of all time. Dark Side
of the Moon was a concept album originally intended to be about
the different pressures applying in modern life. It proved a powerful
catalyst for the band and together they drew up a list of themes:
"On The Run" was dedicated to travel; "Time"
depicted the encroachment of old age; "The Great Gig In The
Sky" (originally named "Mortality Sequence" and
"Religious Theme" during development) dealt with death
and religion; "Money" naturally spoke of the money that
often comes with fame; "Us And Them" entailed violent
conflicts within society; and "Brain Damage" touched
on themes of insanity and neurosis. Thanks to the use of new 16-track
recording equipment at Abbey Road Studios and the investment of
an enormous amount of time by engineer Alan Parsons, the album
set new standards for sound fidelity.
Dark Side
of the Moon and the three following albums (Wish You Were Here,
Animals and The Wall) are held up by most fans as the peak of
Pink Floyd's career. The first of those, Wish You Were Here, released
in 1975, is a theme album about absence. In addition to the classic
title track, "Wish You Were Here" includes the critically
acclaimed, mostly instrumental nine-part "Shine On You Crazy
Diamond", a tribute to Barrett in which the lyrics deal explicitly
with the aftermath of his breakdown. The album also includes the
epics "Welcome to the Machine" and "Have a Cigar."
Pink Floyd achieved their first transatlantic #1 album with "Wish
You Were Here".
By January
1977, and the release of Animals (UK #2, US #3), the band's music
came under increasing criticism from some quarters in the new
punk rock sphere as being too flabby and pretentious, having lost
its way from the simplicity of early rock and roll. Animals contained
more lengthy songs tied to a theme, taken in part from George
Orwell's Animal Farm, using pigs, dogs and sheep as metaphors
for members of contemporary society. However, Animals was considerably
more guitar-driven than the previous albums (perhaps as a response
to the growing punk movement) as it substantially furthered existing
tensions between Waters and keyboardist Rick Wright, who did not
contribute any songs to Animals.
1979's epic
rock opera, The Wall, conceived mainly by Waters, gave Pink Floyd
renewed acclaim and another hit single with their foray into critical
pedagogy - "Another Brick in the Wall, Part II" (which
took the coveted Christmas Number One slot in the UK singles chart).
In addition, while making #3 at home, The Wall spent an astounding
15 weeks atop the US charts during 1980. It also included "Comfortably
Numb", which, though never released as a single, became a
cornerstone of AOR and classic-rock radio playlists and is today
one of the group's best-known songs. It is also one of a very
small number of songs on Pink Floyd's first four concept albums
not to segue at either the beginning or end. The album also became
a vastly expensive and money-losing tour/stage show, although
the album's sales got the band out of the financial hole they
were in. During this time, Waters increased his artistic influence
and leadership over the band, prompting frequent conflicts with
the other members and even leading to the firing of Wright from
the band. Wright returned, on a fixed wage, for the album's few
live concerts. Ironically, he was the only member of Pink Floyd
to make any money from the Wall shows, the rest having to cover
the excessive costs. The album was co-produced by Bob Ezrin, a
friend of Waters who shared songwriting credits on "The Trial"
and whom Waters then kicked out of the Floyd camp after Ezrin
inadvertently talked about the album to a journalist relative.
The Wall remained
on best-selling-album lists for 14 years. A film entitled Pink
Floyd The Wall starring Boomtown Rats founder Bob Geldof was adapted
from it in 1982, written by Waters and directed by Alan Parker,
and featuring striking animation by noted British cartoonist Gerald
Scarfe. The creation of the film saw a further deterioration of
the Waters/Gilmour relationship, as Waters came to completely
dominate the band.
1983 saw the
release of The Final Cut. Even darker in tone than The Wall, this
album re-examined many of the themes of that album while also
addressing then-current events, including Waters' anger at Britain's
participation in the Falklands War ("The Fletcher Memorial
Home") and his cynicism toward, and fear of, nuclear war
("Two Suns in the Sunset"). Wright's absence meant this
album lacked the keyboard effects seen in previous Floyd works,
although guests Michael Kamen and Andy Bown both contributed keyboard
work. Also featuring on the album is Raphael Ravenscroft on saxophone
who is perhaps better known for the sax solo on Gerry Rafferty's
"Baker Street". Though released as a Pink Floyd album,
the interior sleeve specified "A requiem for the post war
dream by Roger Waters, performed by Pink Floyd": the project
was clearly dominated by Waters and became a prototype in sound
and form for later Waters solo projects. Only moderately successful
by Floyd standards (UK #1, US #6), the album yielded only one
rock radio hit, "Not Now John". The arguing between
Waters and Gilmour by this stage was rumoured to be so bad that
they were never seen in the recording studio simultaneously. There
was no tour, and the band unofficially disbanded in 1983.
After The
Final Cut, the band members went their separate ways, each releasing
solo albums, until 1987, when Gilmour and Mason began to revive
the band. A bitter legal dispute with Roger Waters (who left the
band in 1985, or claimed he dissolved it) ensued, but Gilmour
and Mason were upheld in their contention that they had the legal
right to continue as Pink Floyd (Waters, however, gained the rights
to some traditional Pink Floyd imagery, including most of The
Wall props and characters and all of the rights to The Final Cut).
The band under Gilmour returned to the studio with producer Bob
Ezrin. Richard Wright re-joined during the recording sessions
of A Momentary Lapse of Reason (UK #3/US #3) first as a session
musician, paid a weekly salary, and later reinstated as a full-fledged
member of the band for the 1994 release of The Division Bell (UK
#1/US #1) and its subsequent tour, which was promoted by legendary
Canadian concert impressario Michael Cohl and became the highest-grossing
tour in rock history to that date.
Roger Waters
is rejoining Pink Floyd to perform for Live 8 on 2nd July 2005,
the first performance of the full quartet since 1981. All
of the members of Pink Floyd have released solo albums which have
met with varying degrees of commercial and critical success. Waters'
Amused to Death was the most praised of these albums, though it
was met with mixed reviews.
Pink Floyd
are renowned for their lavish stage shows, combining over-the-top
visual experiences with their music to create a show in which
the artists themselves are almost secondary. In their early days,
Pink Floyd were among the first bands to use a dedicated traveling
light show in conjunction with their performances, projecting
slides, film clips, and psychedelic patterns onto a large circular
screen (dubbed "Mr. Screen"). Later, additional special
effects were added to the show, including lasers, pyrotechnics,
and oversized balloons, notably a giant pig balloon which floated
over the audience during performances of "Pigs" from
the Animals album.
Pink Floyd
mounted their most elaborate stage show in conjunction with the
tour of The Wall, in which a band of session musicians played
the first song, wearing rubber face masks (proving successfully
that the members of the band were not known for their individual
personalities). Later in the show, a huge wall was built between
the audience and the band, being demolished, explosively, as the
finale. This show was re-created (by Waters) and a number of guest
artists (including Bryan Adams, The Scorpions, and Van Morrison)
assembled around Roger Waters in 1990 amid the ruins of the Berlin
Wall. The
lavish stage shows were also the basis for Douglas Adams' fictional
rock group "Disaster Area" (creators of the loudest
noise in the universe, and making use of solar-flares in their
stage show) in The Hitchhiker's Guide to the Galaxy series. Douglas
Adams was a personal friend of David Gilmour and made a one-off
guest appearance, on guitar, on the Division Bell tour (October
28, 1994).
Pink Floyd
have not released any new studio material since 1994's The Division
Bell, and there is no sign of new material. The only band activity
since The Division Bell has been the 1995 live album P*U*L*S*E;
a live recording of The Wall, compiled from their 1980 and 1981
concerts, titled Is There Anybody Out There? The Wall Live 2000;
a two-disc set of their greatest hits called Echoes, in 2001;
the 30th Anniversary reissue of Dark Side of the Moon (2003);
and a re-release of The Final Cut with the single "When the
Tigers Broke Free" added (2004). Because the band members
have gone on to work on various projects (drummer Nick Mason has
written a book on his days with the band named "Inside Out:
A Personal History of Pink Floyd"), and because of the death
of longtime manager Steve O' Rourke on October 30, 2003, the future
of the band is uncertain.
The album
Echoes caused some controversy because, on the album, songs segue
into each other continuously in a different order than on their
original albums and some ("Echoes", "Shine On You
Crazy Diamond" "Marooned" and "High Hopes")
have had substantial parts removed from them.
David Gilmour
released a solo concert DVD called David Gilmour in Concert in
November 2002 which was compiled from shows on June 22, 2001,
and January 17, 2002, at The Royal Festival Hall in London. Richard
Wright and Bob Geldof (Pink in The Wall film) make guest appearances.
In 2002 Q magazine named Pink Floyd as one of the "50 Bands
To See Before You Die".
In 2004, it
was announced that contracts had been signed for a Broadway musical
version of The Wall, with extra music to be written by Waters.
The broadway version will feature all of the music written by
Waters. It is not known whether the songs co-written by Gilmour
("Young Lust", "Comfortably Numb", and "Run
Like Hell") will feature. The show is scheduled to be completed
by mid 2005. Mason's
book, Inside Out: A Personal History of Pink Floyd, was published
in 2004. To promote it, Mason made public appearances in a few
European and American cities, giving interviews and meeting large
crowds at book signings. The book is not a definitive biography
of the band, rather a personal view of Mason's experiences.
On June 12,
2005 it was announced that Pink Floyd would be performing at the
Live 8 concert with Roger Waters rejoining David Gilmour, Nick
Mason and Richard Wright. It will be their first concert together
in over 24 years, the band's last show with Waters being at Earls
Court in London in 1981. Live 8 is due to take place in London's
Hyde Park on July 2, 2005. In a statement, David Gilmour said:
"Like
most people I want to do everything I can to persuade the G8 leaders
to make huge commitments to the relief of poverty and increased
aid to the third world. It's crazy that America gives such a paltry
percentage of its GNP to the starving nations. Any squabbles Roger
and the band have had in the past are so petty in this context,
and if re-forming for this concert will help focus attention then
it's got to be worthwhile."
Integral to
the music is the artwork which comes with it. The album covers
and sleeve artwork add to the emotional impact of the music with
vivid and meaningful imagery. Throughout the band's career, this
aspect was mainly provided by the talents of photographer and
graphic artist Storm Thorgerson and his erstwhile graphic studio
Hipgnosis. Many of these images have acquired fame in their own
right; notably the famous picture of a man shaking the hand of
his burning alter-ego for Wish You Were Here and the refracting
prism for Dark Side of the Moon. In fact, Thorgerson was involved
in all the artwork for every album except The Piper at the Gates
of Dawn, the front cover of which was a photograph by Vic Singh
and the back cover a drawing by Syd Barrett; The Wall, for which
the band employed Gerald Scarfe; and The Final Cut, the cover
of which was designed by Waters himself, using photography made
by his then brother-in-law, Willie Christie.
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